ANDREA
BOLOGNINO
Batigrafia
from the series
Cecità, accecamento, oltraggio
2022
Mixed media on paper
Various dimensions

The four drawings are part of the series Cecità, accecamento, oltraggio, based on the dialogue between the artist and Parabola dei ciechi (1568) by Pieter Brueghel il Vecchio. Bolognino brings together the three resulting themes in a broader reflection on the relationship between art and science: the simulation of scientific representation, with the insertion of diagrams and graphs, the simulation of vision disturbance, through an abbreviated and obscure trait, the hypervision, as an effect of contemporary technological developments.

ALESSIA VOLPE X
ANDREA BOLOGNINO

The aesthetic and technical interdependence between the practice of drawing and the instrument of vision is the core of Andrea Bolognino’s artistic research. The series of four drawings — entitled Batigrafia and part of the larger series Cecità, accecamento, oltraggio (2021) — was created on the occasion of Bolognino’s personal exhibition at the Museo e Real Bosco di Capodimonte, and in dialogue with one of the masterpieces of the collection: the Parabola dei ciechi (1568) by Pieter Brueghel il Vecchio. Made on paper in pencil, charcoal, pastels, watercolor and acrylic, the work suggests a reflection on the relationship between artistic representation and scientific knowledge: in the era of augmented reality and artificial intelligence, our bodies — and our eyes — fluctuate between truthful and imaginary visions, constantly learning — and unlearning — how to move in this transformation.

As in a contemporary cabinet of drawings, Bolognino’s creations present lines and shapes suspended at the crossing point of time and space, belonging as much to the preciousness of Flemish figuration as to the coldness of computer graphics, in an attempt at aesthetic democratization where nothing is more relevant or more worthy, and everything contributes to the definition of our contemporary landscape.

Trained between the Academy of Fine Arts in Naples and the Künsthochschule Weissensee in Berlin, Andrea Bolognino (1991, Naples) has always shown an interest in the intersection of different forms of expression as evidenced by the collective conception of the project La Digestion (2016 – 2019), an experimental music festival, and the repeated cooperations with the choreographer Adriano Bolognino, for whom he designed sets and costumes on the occasion of the Venice Biennale (2020) and the opening of the exhibition Tauromachia – La lotta del doppio at the Archaeological Museum of Naples MANN (2023).
In 2022 he inaugurated his first solo exhibition Cecità, accecamento, oltraggio at the Capodimonte Museum within the project Incontri Sensibili. In 2023 he presented the exhibition I Giganti at ACAPPELLA Gallery, created by the interaction with the contemporary poet Nico Bleutge.
During his artistic activity he has also taken part in various national and international collective exhibitions. In his research Bolognino processes matter and data into a saturated visual image, fed with infinite digital archives of further images. His artistic practice focuses on the exploration of an altered visual perception that fluctuates between the restoration of lost gazes and the technological expansion of view. The artist constantly questions the possibility to understand the depiction by seeking relationships that refuse or determine the creation of an “other” gaze.